Move your camera a little off plane and rotation masquerades as lateral shift, while depth compresses until movements look tiny. Parallax can turn solid contact into a push or pull, even for experienced reviewers. Place cameras square to the action with known distances and level tripods. Include calibration objects or floor markings. When in doubt, record from two orthogonal angles, then reconcile the story they tell before making any swing changes.
Many mobile devices scan the sensor line by line, so the top of the frame is older than the bottom. Fast-moving clubs or arms warp into curves, and ball launch angles appear incorrect. Prefer high-speed global shutter cameras for validation shots, or at least raise shutter speed and lighting to reduce blur. If constrained, avoid decisions from a single fast frame. Compare with sensor timing and look for consistent patterns across several consecutive frames.
Wide lenses bulge edges, telephoto flattens depth, and aggressive digital zoom chops context that anchors judgment. Choose focal lengths that preserve straight lines and keep the athlete centered. Frame with known landmarks—stance width, ball position, and target line—so proportions remain trustworthy. Avoid stabilization that reframes mid-swing. If you must crop, keep original files for later verification. Video should clarify, not dramatize, the swing’s true geometry and timing cues.
A junior hitter’s bat speed looked phenomenal, but contact quality slumped. The sensor had been mounted with the magnet reversed, flipping the axis sign and distorting peak timing. We caught it by comparing to impact audio and a high-speed clip. The fix was simply remounting, re-zeroing, and revalidating with three test swings. Confidence returned, cues simplified, and the athlete’s smile said more than any chart could.
From a strong down-the-line angle, hip turn looked shallow and sway appeared excessive. A face-on view told a different story: solid rotation with minimal lateral drift. Parallax had sold an illusion. We repainted alignment lines, repositioned tripods, and created a quick dual-angle routine. The athlete immediately stopped chasing a problem that didn’t exist, and we refocused on rhythm and sequencing that actually moved ball flight in the desired direction.
Two devices disagreed by forty milliseconds on impact timing, threatening the whole review. A cheap external microphone placed near the ball provided a crisp reference peak. We synchronized video to the audio spike, then realigned sensor streams to match. Instantly, the sequence peaks made sense, and an apparent casting issue evaporated. Adding the mic to the kit became non-negotiable, paying for itself in fewer debates and cleaner feedback.